Today I'm making the rules. I do not dress in red, not draw hearts in the air and I will not give my sighs in the wind.
I will regain my rudely Pacifier wash off slime dreams with the hope Keep my gaze inward not give my space to experience the other Pointing the finger where it hurts Do not apologize for being me
Coughing Sip sadness that I cover my mouth without not wash my hands after say goodbye French-Swedish making me not to thank the crumbs Log in hope without permission and leave without saying goodbye lie Spitting in the face of guilt beyond
not charge misery Enjoy my disorder without justifications play paint the walls of sincerity sneak in without paying entry hearts not explain to me without meaning allowed to speak in first person Remove the tongue and not mordérmela injustices not eat cooked me
I am very rude, impossible to treat and to top it open my mouth for all to see what chew ... Well this is what you get!
Dear c est upido, I understand your desire to tighten your bow and play blind man's buff with my feelings but do not try, I know I do not want me for a lot of arrow keys. rope I gave my heart and I give the place it deserves, not any place to rest and lick my wounds, no! breaks No more war. I will not force love swallowing funnel, then the digestion is very heavy and just throwing to the first Bloody Mary.
With the first domestic cock crows, Pena could look into the day with a lost look after two or three thoughts any tears greeted the newly released tomorrow.
always found a reason to stop water flow, glucose and protein cinnamon eyes and if a hand was not making it up (in the imagination is always fodder for those who do not fancy stop playing the balls to tear).
But this morning, NOTHING! There was no way the grounds were so worn that even though the neurons did not shine rubbed.
Desperate overflow and no desire to build a retaining wall, ran to the closet of 'the shit that I like' and opened a box at random. Gave off no odor, conceded his gaze to the bottom and NOTHING!
She had more resources, ha! was a professional and I was sure would come out with it.
decided to delve into your favorite muscle (there always is cut). Decisively agreed to the chest, took a look at the atria and ventricles, introduced a finger, two, three ... up the whole fist and NOTHING! The authority's own, with some beats out of time but with a smile from ear to ear.
The thing was getting very sick, tears came to his knees and sprinklers eye seemed to be endless.
Reasons shit quit when they are needed!
In a last attempt to set the number of nostalgia.
Sorry, the number dialed does not exist.
Me cago en tó!
Exhausted dropped to the bottom and left.
A drowning in his lies he had three breaths Acceptance
eyes dried as the roe, tears are whimsical but not silly penalty and nobody had the delicacy to explain that if you lose Acceptance round about the reasons to play sadness. He finished the bargain and was abandoned in oblivion.
count the bitter tongues now calling itself the wound closed, palm has been professional and when the occasion merits it starts bulerías.
I asked myself seriously to write about film in the blog, but who cares ... Writer and readers happy, what else can wait.
The topic I chose is extremely complex and was shot just after watching a movie the other day, I hooked another much older film. Basically, I'm going to talk about self-sabotage , or plans that target crime 's family, in order to collect insurance money ransom or "stolen." These companies-clearly-are organized criminals in such a way that no one gets hurt, but is carried out by criminals and that the deal fails ... What films portray this theme? I chose two, but there are more than these, I'm going to name: 1) Fargo 2) Before the Devil Knows You're Dead
start with the first. 1 º. "Fargo" Year: 1998 Director: Joel & Ethan Coen Starring: William H. Macy, Peter Stormare, Steve Buscemi, Frances McDormand.
The story is set in the town of Fargo, North Dakota. Said to be based on a story real, but it was just a nice argument to give it more credibility and drama to film. Jerry Lundegaard (Macy) is a car salesman the verge of bankruptcy, which has a bright plan to recover their economic status, without recourse to their millionaire father Gustaffson Wade (Harve Presnell .) Decides that the best way to get money without asking directly to the father, would blackmail by a rescue ... But who is worth as much money as the old miser to release their tickets? Her daughter, or women of Lundegaard, Jane (Kristin Rudrüd ). For this purpose, commits the criminal act first : hijacks a car and slows the estate papers of the alleged sale, in order to prolong the time of abduction. second movement, is with the two criminals hired for such action and Gaear Carl (Buscemi and Stormare, respectively). Its only task would be to kidnap the woman of the house, take her to a secluded place and bring it when Gustaffson deliver the tickets. Now Lundegaard thought only of the plan, macabre, of course, but forgot the executors of the reaction his wife, his father, police ... Therefore, all the loose ends started to work out the plan , obviously. The father called police, and there begins the investigation by Marge Gunderson (Mc Dormand), who deeply distrusts the words of Lundegaard. On the other hand, the two criminals are more violent quite (and inept, as they end up killing one policeman and two witnesses when they are stopped on the road, with Jane in the trunk) than the innocent Lundegaard thought and begin the squeeze on money rates, pressures, threats to women ... To this is added the police investigation y la intromisión del suegro a la hora de "arreglar" las cosas. ¿El resultado? Ciertamente no era el que Jerry Lundegaard había craneado en su plan de salvataje soñado . Los invito a ver la peli, es muy interesante. Yo le doy 4 Clarisas . Los actores son excelentes , realmente, y la historia cuenta con una crudeza atípica, donde el mal se vuelve contra nuestra propia familia en un intento de apagar el incendio con fuego .
Acá les va un trailer.
PD: Hay algo también de vida de pueblo , que acentúa further tragedy, because the police can not understand how bloody the case ... as it does not see in those parts of the country ... And Marge is a pregnant police tender to acquire high doses of courage and bravery , faced only against those who have probably been the most deadly criminals in town.
2 º. "Before the Devil Knows You're Dead" Year: 2007 Director: Sidney Lumet Starring: Seeymour Philip Hoffman, Ethan Hawke, Marisa Tomei, Albert Finney.
And well, you know what I think this is all about. This film is very similar the former because there is still a attack their own families, but there are other actors involved. In itself, and is a variation of telling the story, because is not linear, is jumping in time and sometimes using different viewpoints to the same scene. That brings us to continuously reconstruct the route raised. But the argument is as follows Hanson Hank (Hawke) is an employee indebted to the core consulting with his brother Andy (Hoffman) about the chances of getting money. Andy, who claims to have a good go but is in a situation similar to that of Hank, offers a solution to their financial woes, but only if he accepted the advance would have to participate. Hank had no other and end up accepting to participate in the following plan: rob a jewelry ... What jewelry? The parents' . In this way, would take silver jewelry, revirtiría insurance money for damage to the parents. The project had been designed by Andy Hanson, into running his brother in person, but this child could not face such a situation and finished using a thief to assault the place. Consequence: out all wrong, very wrong.
now had to erase all traces linking the Hanson brothers of robbery and murder jewelry. The betrayal begins to dominate the environment: marital problems, financial and fraternal make their appearance unison, like a piñata that drops all its surprises over the heads of troubled kids ... To this is added the police investigation and, worse, his own father.
As has high rates of suspense and has this magic of cinema is dislodge the puzzle pieces to let viewers make the reconstruction work , I'll stop here and I will invite them to rebuild and find miseries of this family destroyed. 3 is a Clare, I was very inspired, but there are 10 actors as Philip Seymour Hoffman and Albert Finney. Here is a trailer.
Well, it's an interesting subject that opens many questions. I would love to continue talking about it, but it is too broad and this entry would be endless ... and you know what the saying "good if brief, twice good" . So will justice in the comments.
Another movie post and go ... Today's topic is the political global seventies and childhood. The movie is going to have this issue is "The fault lies with Fidel" (La faute à Fidel), French film 2006, directed by Julie Gavras . I will
rolled r publications of this blog, until the summer of 2009 when I said the following: "I must say I choose cost what to see, since that small cinema from downtown offered three films with great criticism: the French "The culprit is Fidel" (which I was eager to see (...)"
And so time justice was done, and while a few months later I had the DVD in my library, just a few days ago I could see. Well, I do not dwell more and I comment directly what it is and what I found (the classic AS in air).
Like I said, the movie is French, was filmed in 2006 and stars Ninna Kervel-Bey, Julie Depardieu and Stefano Accorsi. It was directed by Julie Gavras, the daughter of a famous French director (Costa-Gavras ) and was its debut .
The film narrates from the perspective of a 9 year old girl , the events of world politics in the '70s, with special focus on Latin America . And here many of us, as Latin American people, we will be comfortable ... not because the subject is nice (much less), but because we have very fresh yet what happened in that decade.
Well, the question is Anna La Mesa (Kervel-Bey) is a girl who lives in a house large with all the luxuries, with housekeeper and nanny and a family environment in the same conditions monetary welfare. Until one day be installed in your home an aunt and her daughter, from Spain, lying under the threat of dictator Franco . The arrival of her aunt a change, not only in the household population, but also his father, who decided to protect his sister in France, as it was, to begin a crusade where there were people asking for help. In this way, and seen that in Spain there was much to do, it is proposed focus its efforts in Latin America more precisely in Chile . The role of the mother of Anna here is merely "accompanying" , because although she is convinced follow her husband in this, is just that: "I continue because it is my husband and he would go to end of the world ". There was no genuine intention to support a particular movement. This turn idoelógico necessarily impact on their children, who are living the ups and downs of militancy late parent. They spend a Cuban servant, a Greek and then to a Vietnamese. All of them are telling stories that Anna takes as current reality. Thus he learns from the mouth of Filomena, the Communists are a red-bearded no properties left to the people of Cuba. version hold their grandparents, who resent the direction being taken by his daughter in recent months.
Each of these stories told by the characters that go through your daily life, is it the testing : is or is not how they say? So is the odd discussion with friends, colleagues, family and demases. Understandably, when you can not process that much information, often contradictory between yes, soon.
The road turns uphill and Anna will have to deal with unexpected changes , sudden and often unwanted , but the film narrates the mutation not only environmental and ideological parent, but also Anna and her brother François. Some examples of these sudden changes: one day Anna goes to a religious school , and the next day she is the only girl in the room who does not receive catechesis, or the prohibition by their parents to read the comic Mickey Mouse , as a symbol of capitalism, or moving a tremendous home to a small apartment. The list goes on.
End shows us a reality that is far of which had at first. Maybe things were not as planned, but something new emerged from all this movement and, for the better, something lasting . Maybe Anna did not know, but at that time was taking an important step to determine whether or not it had Fidel guilt.
The movie is a 3 and 1 / 2 Clare . The performances of Depardieu and Accorsi are very good , install the drama it deserves. Because do not forget: the seventies in Chile bring a president overthrown by a socialist military government. So has this Gravel Spring socialist in the early seventies, and then appears tragedy. The contrast is well handled by the director, who takes the time to address the construction of a youth movement many kilometers away from where the events were happening, hoping to put there.
I think the seventies in Latin America is a very common for us Europeans to World War II. For the scope and magnitude of the time, never enough, and almost always get something new to tell. In this case, the novelty is that who narrates the facts is France, not America, and so from childhood innocence , which at times creates an atmosphere of comedy difficult to handle in this framework. Luckily, Julie Gavras has good hands and makes it clear that it deserves a smile, of what does not.
Finally, a nice movie to watch a Sunday afternoon . It is entertaining, but basically you do not forget what it is, and that always leads to reflection.
